My Top Ten list does not start till the next chapter (sorry for the bait and switch). I wanted to kick off proceedings with a song composed by legendary singer and composer Hemant Kumar Mukherjee, popularly
known as Hemant Kumar. I did that for two reasons. One, music lovers in India and across the world celebrated the centenary of this gifted musician, earlier this year.
Two, much to my regret, my top 10 does not feature a Hemant Kumar number either as a singer or as a composer. One of my all-time favorite songs from 'Pyaasa' narrowly missed making this list. (Three, I wanted to keep my Bengali friends in good humor).
Hemantda was a very prolific and accomplished singer: by the end of his career, he had recorded over two-thousands songs in various languages, notably in Bengali and Hindi, and won numerous awards, including two national awards and the prestigious Sangeet Natak Akademi award, for his seminal work on Rabindra Sangeet. He was no flash in the pan as a music director either. He composed music for over fifty Hindi movies and an equal number of Bengali films during his career. In fact, a lesser known fact is that he had composed music for quite a few Tamil movies as well, the most noted of them being the still-famous number, 'Unnai kann theduthe (hic!)', from the 1955 movie 'Kanavane kann kanda deivam'.
Bankim Chandra Chatterjee
The song I want to feature in this chapter is from a movie named 'Anand Math', Hemant Kumar's debut as a music composer in Hindi. The movie was based on a Bengali novel (1882) of the same name written by Bankim Chandra Chatterjee, in the backdrop of the events surrounding, what the British termed, the 'Sanyasi Rebellion'. What intrigued me about this song is Hemant Kumar's wonderful take on Bankimda's poetry that was originally set to music by Rabindranath Tagore - 'Vande Mataram' is now venerated as India's National Song. In fact, Hemant Kumar had a penchant for composing patriotic songs and actively lent his name (and voice) to national causes. Aside from his work on 'Anand Math', he also composed scores for movies like 'Jagriti', 'Humara Watan', and others, which perhaps makes him the original 'pop' nationalist of India - a good forty-plus years before AR Rahman had his own take on 'Vande Mataram'.
Comic strip of 'Ananda Math'
A cause for further fascination on this topic is the 'Sanyasi Rebellion' itself. There are debates, to this date, on what led to and really happened during the rebellion. The British had dismissed it as violent thuggery by gangs charading as sants and sufis. Today, some believe the revolt to be one of the earliest popular uprisings against the British and the East India Company and a pre-cursor to the First War of Independence. So be prepared to see Ajay Devgan, in the near future, in a home production based on the 'Sanyasi Rebellion', with the same stony stare as you saw in 'Drishyam', 'Tanhaji', and 'Bhagat Singh'. Paaa! What range of roles he has done in his career. Legendary.
Back to the rebellion, it started as fakirs and sanyasis from North India that were making their annual pilgrimage to various holy places in the province of Bengal (current day Indian states of West Bengal, Odisha, and Bihar, and parts of Bangladesh) were stopped on their tracks by the East India Company. The Company did not like the practice of the sanyasis collecting their customary annual pilgrimage "tax" from the zamindars and considered it tantamount to looting - "that is our job", the East India Company perhaps said, thumping the desk. After all, their decisive victory in the Battle of Buxar in 1764 made them in one fell swoop, the sole custodians of the entire Ganges valley.
A portrait of the plight of peasants during the Bengal Famine, 1770
The zamindars possibly didn't like sanyasis making an annual visit and asking for money either, since they were reeling under the aftermath of the Bengal Famine of 1770. The sanyasis and fakirs got together under the leadership of men and women from their ranks and carried out guerilla-style insurrections against British properties and interests. The clashes and sometimes full-on battles went on for nearly thirty years. It is said to have inspired subsequent events such as the Chuar and Santhal revolts. 'Anand Math' is Bankimda's take on those events.
So, with that false but spectacular start, let me jump into my Top
Ten list from the Golden Era of Hindi Film Music.
I am going to finish off this series with two lovely songs from Rahul Dev Burman or RD Burman or RDB; the shining star of the seventies, the scion of the Burmans, inheritor of musical riches, the original Rock Star of Indian music...Call him all the names you like. Pancham - another of his names that stuck to him from childhood, apparently because he cried precisely in the fifth note (Pa) or because he wept in five notes - was born with the proverbial silver spoon (and audava raga swarams, if you get my drift) in his mouth. That is often, reason enough to bog one down for a lifetime of entitlement and perpetual submediocrity. People born to overachieving parents either lack the talent or the drive to bear the weight of public expectations. Or both. (Cough...Abhi...cough..shek..cough...Bach...cough...chan). Pancham not only rose against the onerous gravity of being SD Burman's son but went a step further and established himself as the undisputed trendsetter ...
I don’t know if there is anyway to be objective about music. It is not like string theory or the tuning fork experiment that you can postulate things through a well-established procedure. Music is one of those disciplines where you are afforded the right to be openly prejudiced about your preferences, and allowed to get away with phrases such as “personal taste”, “can’t relate to that music”, et al, and shut out the counter-opinion without sounding chauvinistic or downright stupid. I am starting there because this series will have a bunch of opinions. Opinions that you will perhaps vehemently disagree with. Opinions that will shake the very foundations of your thought process. Opinions that will make you pose the existential question, Who Am I ? No, no. I am not going that far. Just know that my music tastes were largely conditioned by my family of delightful bigots. That includes my mom that bursts with South Indian pride quite inopportunely; my rabid SPB-S Janaki loving ...
When did Pancham's youthful exuberance start expressing itself through his music? Was it from his first movie or did he pick it up along the way? He had certainly shown glimpses of it before, but I think it was with the 1973 film, 'Yaadon Ki Baaraat', that he went totally "yahoo". The energy and the verve of his melodies, which is what his fans relish about him even to this day, reached another level after scoring for this Nasir Husain classic. It is not like he was a straight jacket before this. After all, he had made Shammi Kapoor reach ecstatic states with 'Aaja aaja' and 'O haseena zulfon wali' in 'Teesri Manzil'. That was in 1966. With Asha Bhosle's crooning and Helen's hip-shaking (and men's heart skipping), he started a new genre in Hindi film music, after the raunchy 'Piya tu ab tu aaja'. With 'Yeh diwani yeh jawani', ‘Chala jaata hoon’ and the like, he made Kishoreda go zanier than before (and that is ...
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