Golden Age of Hindi Film Music...In Ten Episodes

Raj Kapoor was a genius at enhancing the movie experience for his audiences. He regaled them with songs and sentiments, elaborate sets and costumes, and tramped about in his favorite Chaplinesque avatar. His scorching chemistry with the stylish Nargis only added to the effect,  further accentuated by the incredible camera work of Radhu Karmakar. Raj was the Ultimate Showman. For the world outside of India, he embodied Indian cinema like no one else has ever since - not even Satyajit Ray. Time magazine in its 'All Time Best Movies...' tribute called him, " India in all its vitality, humanity and poignancy". That was Raj Kapoor. There was another gentleman who was going to take that art of visually enrapturing the audience to a completely new level. The person’s name was Vasanth Kumar Shivashankar Padukone – popularly known as Guru Dutt. Guru Dutt was born to a Konkani family in current-day Karnataka but spent much of his early life in Kolkata.  He debuted as a direct...

Prithviraj Kapoor, the progenitor of the Kapoor khandaan, was a pioneering film actor and a passionate dramatist. He had this habit of being associated to greatness, like Forrest Gump. 'Alam Ara' the first Indian talkie, 'Awara' the movie that set the entire Eastern Bloc on fire, and 'Mughal-e-Azam', K. Asif's obsession and arguably the biggest Indian movie ever made (yeah, bigger than 'Bahubali', factoring for inflation), all had Prithviraj Kapoor playing pivotal roles. It was his passion for acting that brought the Kapoors from Peshawar to Bombay, and enabled them to eventually acquire the mantle of the First Family of tinsel town. But Prithviraj's actual calling was elsewhere. He was a sucker for theater. To a point where he literally bankrolled his fervor for it with his movie earnings. In 1944, he founded Prithvi Theater, a hundred-plus-strong, traveling troupe that went all around the country and staged Hindi plays. Over time, they complete...